Your parents, who arent quite sure what you do, certainly know what agents doand that will make them happy. Hall is Catbird Productions' sole proprietor. Nonfiction/Self-Help A. Goddard I work alone and basically love knocking on other agents doors and asking them to come out and play! Hall is the author of the picture books. Notes/Tips:Our agency does not represent poetry or screenplays. We revel in rebel voices; cast forward outcasts; and structure the lawless, braless populace into humorous narratives and . How to Submit Yourself to an Agency (According to an Agent) - Backstage The story was called Drift,and it was about a little beaver named Buckley who lives with his mama and makes these beautiful and intricate boats to send off to sea to his absent father. However, if you would like to get your work in front of her for now or the future, please submit - she reviews ALL submissions! The answer might be a little different for our editorial colleagues with writers. Sign up for our Children's Bookshelf newsletter! Remember, you are a business person seeking a business partner. Bookmark Literary (Submissions) Open to illustrator submissions. Its so truein the past month alone weve had some particularly exciting pairings between Stimola and Catbird! Find out whos working in the field. Thank you for submitting your work! Do you need an agent? Queries about books that dont conform, but rather provoke, excite me. She currently has around 45 clients with little room for more, as she thinks 50 clients is the ideal number. Erica is a tireless advocate for her clients and proud to be a part of an industry that is so thoughtfully shaping young minds. News and updates to get a top literary agent, publisher, and book deal. Be professional in your communication with an agent. When Stephanie first contacted me, she was very excited and said, I cant get your book proposal out of my head. Memoir/Christian S. LeRette The Number of Queries Sent and Their Replies. You can ask her a question here. My approach with each client is different based on what they particularly need. Memoir/Multicultural N. Aronheim Kaylas taste lies squarely in that sweet spot between commercial and literary, and she is looking for captivating voices and rich worldbuildingwhether its a seaside town in Maine or a fantastical other world. Kirsten Hall - Author - Self - Freelance | LinkedIn Yes, you pay agents a fee, and that fee could be fairly substantial, depending on the agent. The Cat Agency Inc. (Agents) (Submissions) Open to illustrator & author-illustrator submissions. Catbird Productions - USA Literary Agencies and Literary Agents 2023 Simon & Schuster, Inc. All rights reserved. You didnt receive a rejection letter. You received a critique letter. It sounds so much better, doesnt it? Were not trying to make your road to publication harder. ), etc. I still remember the first time I read Jessixa Bagleys dummy submission. To set up immediate access, click here. While were waiting on the agents response, can I ask you why you want an agent? Isabelle Arsenault 161161 5 Comments 5 Shares Like Comment Share Catbird Agency is with Seb Cosset and Brigette Barrager. Responsible for . A graduate of Simon Fraser University's Master of Publishing program and a twenty-five year veteran of Canadian publishing, Ron worked with Penguin Canada, Westwood Creative Artists, and Random House of Canada before joining CookeMcDermid in 2009. What percentage of art directors go to agents first to find illustrators? SCBWI Statement of Intent on Equity and Inclusion, The Essential Guide to Publishing for Children, Co-Agenting with Kirsten Hall and Erica Rand Silverman. Theyre the coach. She has incredible vision and is very brave. Hall is the author of the picture books The Gold Leaf and The Jacket, which was a New York Times Notable Book in 2014. Catbird Agency - Home | Facebook What do you look for in a submission?The very best in art and literature reveals something real and true about ourselves, and childrens books are no exception. While we have different client lists, Ericas and my intentions for the books we represent are largely the same, as is our aesthetic. You still need to work hard, improve your craft, increase your self-awareness. Kirsten is also an author. Kirsten:Not necessarily. She is the author of 100+ children's books, has been employed since 2009 as a US-based managing agent at the Bright Agency, which is based in London and specializes in nurturing . She is . You heard it here first! They're Skyping. I signed with Don Fehr at Trident Media and a short time later I had a publishing contract! They're signing. * Mailing addresses Nonfiction/Diversity S. Peer We'd love to see your work! Theyre not your parents. One size does not fit all. I dont think its extra contact our clients see as much as extra opportunity. I sent them some dummies, some promotional pieces. Think about it: They meet with the editors and art directors at many publishing housesalways learning what they want and dont want; always given inside looks into publishing plans, present and future; always gaining further insight into who loosens or tightens the purse strings. What is one misconception about agents?I can only speak for agents in the childrens book industry, but Im continually heartened and humbled by the camaraderie between kidlit agents. Books invite joy. But the absolute wrong thing to do is blindly sign an agreement. Kirsten Hall | Writing for Kids (While Raising Them) Your agent cant be expected to do all the heavy lifting. If you need contractual help, you can find an attorney who would only charge a one-time fee. I appreciate having a trusted ear, an ally, and an advocate for my work and career. Here is the: AAR Agent Databaseand the list of AAR members who represent picture books. The subject heading in your email should be simple but enticing. Narrative Nonfiction D. Cohen Fiction/Mainstream K. Cox When Should You Get An Agent? How Much Do Authors Make? Tugeau 2, A Children's Art & Literary Agency 2231 Grandview Avenue Cleveland Heights, OH 44106 Tugeau 2 proudly serves artists, writers and illustrators with representation in the children's publishing industry. Each provides exact submission information (an email address or an online submission portal). Other times, well sell texts to publishers first and then when it comes time for illustrators, if there isnt someone on our list who we think is right to recommend, our next step will be to look at each others lists, or those of other agent friends. Good agents know which parts of the contract are flexible (and which shouldnt be). Before you submit: Read their guidelines. It feels good to say, I have an agent. Its legitimizing. . Why do I (acting as an author or illustrator)need an agent?An agent is a matchmaker, negotiator, mediator, lifter-upper, creative confidant, and industry insider all rolled into one. CookeMcDermid No agency can guarantee that a particular project will sell, but we sign clients because we love their writing and want them to succeed. She has negotiated many hundreds of childrens book deals between authors, illustrators, and all of the major American publishers. When looking for an agent, its important to do your homework. Maybe. If you have questions, you can build your own network of colleagues who may have the answers. Were allies, strategists, friends, supervisors, listeners, managers, organizers, brainstorming partners. Sure you can. What I know when co-agenting with Erica is that no matter what happens well always be good. And the value of that growth far exceeds the fees. The Cherry Weiner Literary Agency officially started her agency in May of 1977. Keep walking. Most of the time, Im working with my clients to develop their own dummies or texts to sell directly to a publisher or Ro and I are looking within the studio for an illustrator match to a pre-existing text. Our goal is always to sell their work and properly manage their rights, establishing long-term writing careers for our clients. She likens her agency, which specializes in picture books, to a creative playground. Thank you for submitting your work! When our illustrators arent working up a project of their own, were pitching them to get matched up by publishers. Olswanger Literary LLC. She doesnt represent adult projects. I want to work with an artist whose goal it is to write and illustrate their own books. The second-worst thing to do is to rest on your laurels. * A link to the Catbird Productionswebsite To submit directly without an agent you need to send them a query letter with a description of your manuscript, how close it is to completion (if it is not yet finished), and a little bit about your writing background. Here is the: Advice from writing professional Jane Friedman. Kayla is also open to representing illustrators. Someone asked me once, Do you only hire artists who have agents?Not in the slightest. (Her rst bookBunny, Bunnywas published when she was in 7th grade. If an agent is interested in representing you, under no circumstances should you simply say, Great! Kirsten Hall has struck out on her own after years of freelancing and started her own literary companyCatbird Productionssearching for debut talent. Not really. Erica:Publishers really enjoy being in control when it comes to matching a text to an illustrator (its an extremely fun (!) Although of course it would be totally fine for them to communicate if it would benefit the development of the proposal! A thoughtful, personalized query letter does a lot, and obviously if I connect with an art sample or a pitch, its a win, but even then my decision ultimately hinges on what that persons web presence looks like. What is one misconception about agents?You wouldnt believe how many conference attendees come up to me to say thank you for being warm and approachable, as if this isnt the norm. 5. The profileabout Kirsten HallLiterary Agent that you see herecontains just some of the information youll find in our free BookAgents Directory, with listings for all publishing agents. But, when it feels right and exciting on our end, we hope that it will be received that way by the publishers. Catbird Productions was founded in 2006 by Katarina Soukup. A good agent is one who helps move a project forward. Pairing up directly with clients from other agencies is a great way to be proactive in making new projects happen. What do you look for in a submission?I look to have an emotional response and for the work to be something different than is already represented on my list. Astound US Illustration Agency(Submissions scroll down to Artists submissions)Open to illustrator & author-illustrator submissions. Nonfiction/Diversity S. Peer She prefers books that explore deep emotional relationships in an interesting or unusual way. How do you work with your clients individually on something like this? Childrens/YA L. Moe. Regardless,I like to seek out three main strengths any time I review a portfolio: storytelling ability, consistency, and confidence. The one who uses righteous indignation and insults as means to an end. PW site license members have access to PWs subscriber-only website content. May 2010 - Feb 20143 years 10 months. In order for me to co-agent with someone, I need to feel a certain level of trust because the process can be quite unpredictable. Today, she is the founder and owner of a boutique children's book illustration and literary agency, Catbird Productions. Submission Guidelines: Hello! Odds of Getting a Book Agent Why do I (acting as an author or illustrator) need an agent?The answer to this is clear to me: because it plays to strengths. Any agents not listed above are CLOSED to submissions. Catbird Creative Agency | LinkedIn But if we are interested, we will request your full manuscript. . Either way, look for agents who show an appreciation for your visual aesthetic. How to Get a Fiction Agent You should know, agents are not going to comment right away (if at all). We respond to most queries within twelve weeks. Right now, Brenda is not accepting picture book manuscript submissions, but she is looking for adult historical fiction. Were not afraid of this. Most of the time, Im working with my clients to develop their own dummies or texts to sell directly to a publisher or Ro and I are looking within the studio for an illustrator match to a pre-existing text. Fuse Literary represents both fiction and nonfiction in a variety of categories and genres. I choose to work with an agent because I value that relationship and I know its helped me to create my best work. Madeleine Milburn Literary, TV & Film Agency, (Prospect Portfolio: Illustrator Submissions), (Molly ONeill: open to illustrators & author-illustrators), Stimola Literary Studio: Books for Children and Young Adults, (Submissions for childrens book illustrators only), Association of Authors Representatives, Inc. (AAR), How to Find a Literary Agent for Your Book, Literary Rambles: Spotlighting Childrens Book Authors, Agents, & Publishing, Manuscript Wish List specifically for literary agents of picture books. Unfortunately, due to the overwhelming number of submissions received, personal responses are only very rarely possible. Do not send attachments with your query. This is probably less often the case once a project reaches the publisher. Catbird | bird | Britannica Why do I (acting as an author or illustrator need an agent? Each agent, even within the same agency, has their own ideas of what defines good writing and good illustration. Youve identified fifteen to twenty agents. Check out her Literaticastpodcast. 2) Those that somehow present the world differently. Publishing Agent Kirsten Hall is an agent with Catbird Productions. Follow each agents instructions, but remember that they may be different. Childrens/Pic Book M. Leshem-Pelly After You Get A Book Agent. There is a lot of uncertainty that comes along with developing a co-agented pitch from just the seed of an idea. OrderID Agency OrderID Date Class Rate Patient Name Area Shift Start End Meal Order Reason O 7138574 08/28/22 to 11/05/22 CNA|T . Layered, flawed, completely human characters. Kirsten Hall, Catbird Agency Picture books pretty much have me wrapped around their finger. Familiarize yourself with their accomplishments. catbird seat. About Lara Perkins Catbird Productions An agent will intuit which clients are going to respond well to the artists work, and this becomes the first port of call for an illustration agent when initially pitching, sharing, and presenting the portfolio to commissioning clients. Get FREE Access Now to All Catbird ProductionsProfiles! QueryTracker You have to register (its FREE unless you upgrade to premium) to use this, but once you register and sign in, you can track your query and find which authors are represented by which agents, a publisher list, an agent list, author success stories, and more. The irony is that by doing it yourself, by finding some amount of success on your own, you become more attractive to . Narrative Nonfiction D. Cohen There may come a time where it makes sense for the artist and author to collaborate more directly. Youll get free access tothe Directory of BookAgents with detailed profiles for allbookagents,including Kirsten HallLiterary Agent. Warning: This site requires javascript, but it appears that your browser Writers can search posts for agents compatible with their work. Deborah Harris Agency (Agents) (Submissions), D4EO Literary Agency (Agents & Submissions), Dunham Literary, Inc. (Jennie Dunham)(Submissions), Dunow, Carlson & Lerner Literary Agency (Agents) (Submissions), Dystel, Goderich, & Bourrett LLC (Agents) (Submissions)(Nonfiction Submission Guidelines), Einstein Literary Management (Agents) (Submissions), Ethan Ellenberg Literary Agency (Agents) (Submissions). Jennifer De Chiara Literary Agency (Agents & Submissions), Jill Grinberg Literary Management (Agents) (Submissions), Ladderbird Literary Agency (Agents) (Submissions). I dont think its extra contact our clients see as much as extra opportunity. She is drawn to work that showcases expressive characters, timeless palettes, and atmospheric scenes. Having someone on your side who can not only advocate for better terms (and knows what the industry standards are) but also navigate all the legalese with you is key, especially if youre not well-versed. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. WAIT! . Overall, Fuse agents may take 4-8 weeks to respond to queries and then additional time for submissions. Tell us what you like and we'll recommend books you'll love. In childrens fiction, they primarily accept early readers and chapter books, and perhaps the very rare, exceptional picture book. Scroll below to see a sample. Provide URLs to your author website and social media that supports your efforts to brand yourself. RMV Workforce Corp hiring CNA in Phoenix, Arizona, United States | LinkedIn She will happily review your comics, book cover designs, and picture book dummies.Aliza believes in a world where all young people can see themselves reflected in childrens books. If I have requested your work, please email me at lara@andreabrownlit.com and please include the word "request" in your subject line (and please do NOT include the word "query'"). Join QueryTracker to access more query and agent information, including To read more comments about this agent, or to leave comments of your own, become a QueryTracker member. The one thing I look for across the board in a submission is a clean, professional-looking portfolio site! of Speculation by Jenny Offill, Kitchens of the Great Midwest by J.Ryan Stradal, and Station Eleven by Emily St. John Mandel. What if you want to get your rights back? Scroll back up to the top of this webpage now to enter your name and email for FREE information and listings for all book agents at Catbird Productions. Ive been in publishing for over a decade. If they do get back to you, expect a rejection . We promise not to share your information with third parties, and we do not spam. Well navigate the waters together. Read their bios to determine which picture book literary agencies and agents might be the best fit. Ive heard illustrators say they want an agent so they dont have to deal with marketing and contracts and the non-drawing-and-painting aspects of illustration. Publishers really enjoy being in control when it comes to matching a text to an illustrator (its an extremely fun (!)
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